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Confession: I Get Drunk
They say, "Confessions are good for the soul." This article is my confession about a personal habit I regularly practice.
By Margaret Minnicks6 minutes ago in Confessions
The Static Hour #7
The night rain hammered against the rusted wire fence, the dripping sounds grating in the deep darkness. Puddles spread across the muddy path, reflecting distorted, fragmented light, as if time itself had disintegrated here, abandoned in the silent, rainy night.
By Water&Well&Page12 minutes ago in Art
Wheat and weeds, Part 7
We’ve just sat for hours with someone ‘confidently’ dismantling a story that, for a lot of people, is tied to childhood, family, morality, meaning. Even if you’re not a believer, there’s a weight to watching someone rip through it with “hidden history” and “they never told you this.” It’s very normal to feel a mix of fascination, anger, relief, or even a kind of vertigo after that. You’re not overreacting if it shook you.
By CA'Di LUCE * Confessions & Memories in Conversations with friends!/ It’s not a revolution—it’s a quiet evolution.37 minutes ago in Confessions
Wheat and weeds, Part 6
The Prometheus material is similar. There are indeed fascinating thematic parallels between Prometheus and later ideas of Satan or Lucifer: a figure who defies the high god, brings knowledge or fire to humans, suffers for it, is bound and tormented. Ancient authors themselves sometimes played with these resonances. But those are literary and philosophical parallels, not genealogical ones. There is no historical chain that runs “Enki → Prometheus → Satan → Jesus,” as if these were successive masks of the same being. The video treats them that way, because it is always looking for a single hidden pattern, but that is a choice of interpretation, not something the sources force on you.
By CA'Di LUCE * Confessions & Memories in Conversations with friends!/ It’s not a revolution—it’s a quiet evolution.about an hour ago in Confessions
Power Rendered as Structure
Political titles rarely appear in abstract painting without some degree of irony. When they do, they often function as commentary—an external reference layered over a purely formal composition.
By Thelma Goldenabout an hour ago in Art
Wheat and weeds, Part 5
The conversation felt weak and unbalanced; The interlocutor in that video often doesn’t know basic historical facts. And that’s not my imagination. When someone with weak historical grounding interviews someone who is very confident but not academically trained, the result is exactly what I sensed: a conversation that sounds bold and revolutionary but collapses the moment one check it against real scholarship.
By CA'Di LUCE * Confessions & Memories in Conversations with friends!/ It’s not a revolution—it’s a quiet evolution.about an hour ago in Confessions
The Conceptual Portrait in Abstraction
Within the long tradition of portraiture, the subject is typically recognizable. A face, a posture, a gesture—something that anchors the viewer to the individual being depicted.
By Thelma Goldenabout 2 hours ago in Art
Wheat and weeds, Part 4
To be even more explicit: 1.About Epiphanius, the Panarion, and heresiology When scholars study Epiphanius, they do not rely on Wikipedia. They use the critical editions and commentaries published by Brill, Oxford University Press, Cambridge University Press, and similar academic houses. The standard English translation of the Panarion is by Frank Williams, published by Brill. Williams’ introduction explains in detail that Epiphanius is a polemical writer whose descriptions of heretical groups must be read with caution.
By CA'Di LUCE * Confessions & Memories in Conversations with friends!/ It’s not a revolution—it’s a quiet evolution.about 2 hours ago in Confessions